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Brian and Gordon camera assistants at Fox photos standing in as models, with a prototype glass fibre bicycle taken for Hercules Cycles at the Earls Court cycle show 1954.

 

Brian Goodman on the right with Eric Willmot FRPSFIBP in 1972 before the FT awards, where they both won awards. Both publicity photographers in the Nuclear industry.

 

A young Brian standing in for a lighting check on a portrait session.

Fox staff enjoy a beach break whilst working at the Haverford West agricultural show. Photograph taken by “Jake” Jacob’s at Saundersfoot beach near Tenby 1955

 

Brian this week on his farm, he will be turning 89 in June!

The PPHP has been contacted by Brian Goodman another Fox Photos staffer who spotted our post covering David Newman’s account of his time at Fox Photos

Brian worked at the Tudor Street and then Farringdon Road offices of Fox Photos between 1952 and 1956 – he sent us this note [and photos, Thanks!] of that time:

Dear Will

 I read with great interest the article by David Newman about his time at Fox Photos and the names he mentioned.  I worked at Fox from  summer 1952 until called up for national service Jan 1956, joining the R.A.F as a photographer.

I worked with the people he mentioned, starting before Farringdon Road at Tudor street then helping with the move to Farringdon Road.
I started with Les Graves as his assistant on the weekly and monthly sales for 18 months.After I had been working the first few weeks one of the press photographers Reggie Speller went to Lynmouth ln Devon on holiday,  at the time of the tragic floods. He had his camera with him and started shooting photographs putting the exposed  glass plates on the train to Paddington. These  were collected by a motorcyclist and rushed to Fox for processing.  The photographs were used by many national newspapers  plus monthly and weekly magazines. As I was new to Fox it was interesting to see the agency working on a rush assignment another highlight was working with Les on the Queens coronation.  When magazines like Picture Post had extensive coverage and were in demand because many families did not have televisions they would have to wait several days to see the newsreels at the local cinemas, many neighbours  gathered  around the few television sets on this special occasion.
I became an assistant photographer to Norman Vigars covering press and commercial assignments. Norman Vigars left Fox to become films officer for the Ford Motor Co and he was involved with publicity for the Transit van. Raymond Bellarsario was in the same department at the same time as me and the photographer he was assistant to was Ernie Round. Ray like me was called up and joined the army.

Because of National Service there was always a turnover of young men. Ray came back to visit during his service time and was telling me he wanted to concentrate on taking photographs of the royal family this was because we watched the success of Stan Meager a young photographer,  as a young press photographer he had a tip that the Queen went early morning horse riding  in Windsor great park. He went with his camera and managed to get the pictures because of this he was offered a staff position on a national newspaper.

Most of the press photographers worked without assistants, unless they were using large cameras. I went with Reg Spellar to cover the Derby at Epsom Downs man handling our equipment up a scaffold tower at Tatenham Corner once the glass plate was exposed I scrambled down to a waiting motorcyclist, one of many who raced back to Fleet Street, the picture editors waiting for the first photographs to arrive for the presses to roll.
The line in David’s article that was very true was that Fox was a great training ground for young photographers. After my time in the R.A.F. I joined the Nuclear Industry as a public relations photographer, they were starting a new publicity unit recruiting staff with Fleet Street connections. This was my main career and  I was awarded Industrial Photographer of the year 1972 (see photos below) by the Financial Times and the Institute of British Photographers, I retired in 1990 and bought a farm in Cornwall.
 Yours Sinscerely
Brian Goodman
Thanks Brian! Great information for pour project – if you would like to send me a memory of your time at a photo agency please email me on [email protected]
We have had more memories from Brian:
Working at Fox Photos as an assistant to press photographers.

Press photographers worked on their own but occasionally they asked for an assistant because of special equipment that they needed, sports photography was an example.
I worked with Reggie Speller on several of these- the Derby at Epsom Downs and cricket at the Oval and at Lords, in all cases you could not get close to the action we used a special camera approx 5ft. long, a large wooden box painted black with a lens at the front and a ground glass screen at the rear for composition and focus this was hinged out of the way and replaced by a sensitive glass plate. Exposure was made by a roller blind traveling horizontally in front of the glass plate, the blind had an adjustable slot to control the amount of light making the exposure the equipment needed tripods for support and cases for glass plates,
this needed an assistant to help carry the load.

As a photographer a highlight for me?

I was told to go to the International Oil Conference and Exhibition at Olympia in London and go to the Harwell Research Laboratories stand. The exhibition hall was in complete darkness just a small glimmer of light from the roof, all the delegates were at the conference. I found the stand, the only one with lights.
I walked on to the stand and found a scientist from Harwell, on the stand was a large model of a North Sea oil rig and core samples from the sea bed. After a few moments we were joined by Sir John Hill who explained we were expecting visitors. After a while I said I would look outside – the hallway was empty but I spotted a couple in the distance as they became closer I was shocked that I could see it was Queen Elizabeth and Prince Phillip without an entourage. I kept my camera down, they came right up to me and the Queen asked if I would like to take her photograph. in complete surprise I explained if she could spare me a few moments I would like to take 4 photographs on the Harwell stand, she looked across to Prince Phillip and said that they could. l said I would lead the way and do the introductions I used the oil rig model as my foreground looking across to the
V I P party who were absorbed hearing about the research.looking back this was clearly arranged so that everybody was in place it was still a surprise and completely unexpected.

A photograph of chief press photographer Gerry Hammond talking to the pilot while waiting for the weather for aerial photography over Dorset.